The classic Rogers and Hammerstein play is concluding its run in Hollywood to glowing reviews. It was my first time seeing the production, which has been running on and off in some form since 1951.
The story is that of an English widow who travels to Siam to work for the King to teach English to the children in the royal palace. She soon finds out the King is a true male chauvinist, and a battle of wills ensues, to great comedic effect.
Yul Brynner had owned the role of the King of Siam for years. The key to any successful revival was to find an actor who could fill those gargantuan shoes, and the current production certainly did with Jose Llana, who excels in the role. Llana commands the stage and his comedic skills are terrific.
The downside of having someone so talented and powerful in the role is that every scene that he's not on stage feels like mere filler. But when the King does take the stage, struggling to get this strong-willed English woman to understand his need of having to control everything, it's a blast.
The set design is rather minimal. Many of the stronger songs are classics, though some are not as memorable as others.
The ending, though satisfying, is certainly not predictable, and that I like.
The King and I holds up well in its current incarnation. Though not as consistently funny as something like Book of Mormon, it gives plenty enough laughs to make it worth the admission price.
My rating: 8.1/10
Jon David Rosten, author of
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