I'm sure that under normal circumstances, I would never have watched Gilmore Girls. I'm obviously not the targeted demo. However, in the early 2000's, I was working at Warner Bros. in the main network control room which aired The WB, so I saw every episode, several times.
I actually enjoyed the show. It was witty and had great characters. After the original show-runner, Amy Sherman-Palladino, was replaced after Season 6, it became obvious that Season 7 would be the last. I always felt like the show didn't get the chance it deserved to run its full course.
Fortunately, Netflix, like they often do, came in several years later to save the day. They brought back Sherman-Palladino and let her do her thing. The reviews for what resulted, Gilmore Girls: A Year in the Life, were terrific, as was the estimated views, and after watching all four feature-length episodes, I can understand why.
It took about a couple of scenes for me to fall back into the show, but once I did, I was hooked. The writing was as sharp as it ever was. Palladino wisely chose to skip forward to Rory's early thirties, where she's struggling to find her way, not only in the competitive NYC journalism space, but in life in general. Lorelai has her crossroads ahead of her as well, both with the inn and with Luke. Emily, along with the rest of the Gilmore family, has to deal with the death of Richard, which is handled in tremendous dramatic fashion throughout the episodes.
There are some minor problems. There are timing issues which seem odd. Characters seemingly travel long distances instantly. Rory writes an inch thick part of a manuscript overnight. Some scenes are tied together in similar unfortunate, clunky ways. Although most of the humor is terrific, some of it falls flat, like when Lorelei fires one celebrity chef after another. It's one of the few sets of scenes that should have been left out.
Most of the scenes work tremendously well, however, At times, Sherman-Palladino even lets us dislike Lorelei and Rory, more so than had ever been the case in the show. Rory is having an affair with Logan, who is engaged. But it fits, now that she's in her thirties and her world is crashing down around her. It leads to the ultimate question, will her poor decisions lead her to repeat the life of her mother?
A Year in the Life does a stunningly good job of bringing back so many of the old characters, even if for a scene or two. The characters have for the most part moved on, but Stars Hollow stays stuck in its eternal time warp, The town was always a central character to the show, and now that Rory is at her inevitable what-am-I-going-to-do-with-my-life? phase, it is even more important. Could Stars Hollow be enough for her?
I think A Year in the Life is the finest season of Gilmore Girls to date. Sherman-Palladino deserves major credit for this accomplishment (and her husband as well). Some of the tense scenes where the Gilmore family fights to come to grips with the death of Richard are the best of the entire series. And in fitting fashion, it ends on a wallop of a note, so we must hope that Netflix allows for future seasons so that Sherman-Palladino can end the series in the way she feels it must.
My rating: 9.5/10
Jon David Rosten, author of
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